by Giselle Beiguelman
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E-Poetry Buenos Aires

Junio nos sigue sorprendiendo: @UNTREF recibe la edición 2015 del Festival E-Poetry: Poesía+Tecnología se dan la mano. Os QR-COMMs estão presentes em uma programação de altíssimo nível. E-Poetry [ 2015 ] Buenos Aires Del 9 al 12 de junio 2015 / June 9-12,...

QR-Poem

At the intersections of words and symbols we begin to redefine our boundaries

CGH-SDU (Homage to the Minimal Information)

In this video the landscape is reduced to its minimum informative elements – dominant colors and sounds -, converting movement in a flow of textures and volumes modulated by ligth. Recorded with a Flip video camera during landings and take offs, between the urban airports of São Paulo (Congonhas, CGH) and Rio de Janeiro (Santos Dumont, SDU), in one day of July. Languages: Portuguese and English. Giselle...

7 conselhos a um jovem webdesigner

O segundo número  revista Tecnologias Cognitivas é dedicado ao tema Design Digital e Redes. A edição deste número é de Lucia Leão que me entrevistou para conversarmos sobre meu percurso profissional, conceitos e sugestões para pesquisas na área. A pergunta mais divertida e difícil de responder foi a última: Se você pudesse dar 7 conselhos para um jovem designer digital quais seriam? A resposta segue...

Papermind

Hoje tem lançamento da Papermind Brasil. Vai ser na Galeria Vermelho. Um monte de gente bacana participa, contribuindo com 100 impressões que compõem fanzines únicos, distribuídos em sacola plásticas. Nas palavras do organizador do “volume”  brasileiro: “Entiendo Papermind como un proyecto generoso. Generoso no sólo en su génesis y propuesta, o sea desde el lado propositor, si no que...

Suite 4 Mobile Tags @ The Dissonant Place

Suite 4 Mobile Tags is at The Dissonant Place, Torre Malakoff, Recife. Jun 3rd – July 26 th. Suite 4 Mobile Tags is a project by based on QR-Code. It proposes a random and anonymous collective musical composition exercise. More info, other venues video and links at...

Aquele Abraço, Paula

Paula Beiguelman faleceu ontem, deixando saudades e um monte de lembranças. Professora emérita da USP, aposentada compulsoriamente pela ditadura, era minha tia e, junto com minha mãe, Sylvia, foi responsável pela minha alfabetização sentimental. Foi dela que ganhei meu primeiro disco, “Aquele Abraço”, do Gilberto Gil, meus dois primeiros livros, “Ou Isto, Ou Aquilo”, de Cecilia...

Algorithmic Vision

This is an investigation of the transformation of the image in an interface that questions the role of algorithmic code in the construction of the visual and explores the process of dematerialization / rebuilding of identity, via image in social networks. We depart from a conceptual dialogue with the film Blow Up (Antonioni, 1966) to operate a rereading of the seminal essays by Vilém Flusser on photography in...

Cross-media Documentary

esc for escape is a cross media project on error messages. A documentary on life beyond the screen with outputs in DVD, electronic billboards and indoors exhibition, mediated by Internet, SMS e MMS. The audience was invited to submit error messages (text and images) by mobile phones and the web. Their submissions appeared on a commercial electronic billboard at Paulista Avenue (SP) and in the exhibition space at...

São Paulo – Berlin

www.desvirtual.com/poetrica, 2003 Poetrica is an investigation about reading and reception in entropic and cybrid situations and a practice of appropriation of the advertesing sytem as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in P0es1s, at Kulturforum, Berlin (2004). The project involves a series of visual poems conceived by myself with non-phonetic fonts (dings and system...

Image/Interface

//**Code_UP investigates the role of the code in the meaning construction and the forms of visibility mediated by mobile communication devices. In the exhibition space, the audience can capture pictures with cell phones with camera and send them to large screens via bluetooth where they are transformed into mobile matrixes that can be managed by keyboard and mouse commands, acquiring variable movement and density,...

Net Art – 2001

<Content=No Cache> is about the loss inscription. It talks about error messages. Its point of departure is a curious tag “content = no cache”. Placed in the html code it updates the contents of any on line page, erasing what was written before. It announces a new condition of writing. From now on it does not inscribe anymore. It just describes. Like Error Messages....

Net Art – 1999

web site + book + e-book, 1999 The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of volume. Works that provide programming language a textual appraisal, creations that resort to videographic procedures in literary...

Code Works

Sator Square The Sator Square is a word square containing a Latin palindrome featuring the words SATOR AREPO TENET OPERA ROTAS. Latin for ‘Arepo the sower holds his cart with difficulty.’ In Portuguese, the translation is more complicated. I don’t know why but one of the possible meanings of the Sator Square is: ‘O criador mantém o mundo em sua órbita’ (Something like “The...