Autobiography

Share Violent images from the 70s TV series for children denied by a pacifist punk rock song by the Clash. Fragments of my mediatic education… Uma espécie de testamento midiático. Imagens violentas de desenhos animados dos anos 70, com que cresci, e um hino pacificista do Clash, minha banda favorita dos anos 80. 2007. Apresentado na exposição Comunismo da Forma, Galeria Vermelho (agosto, 2007), com...

(De)Generative Video

Share Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as a movie frame that consumes and erases itself as soon as it is processed. The project consists of an interactive projection, based on generative systems, which...

Orgulho de Ser Brasileiro

Share Em que contexto críticos e criadores se transformam em reféns das instituições culturais, legitimando o escambo de trabalho grátis em troca de migalhas midiáticas?O que o país dos Jeffersons, Edemares, dasluzetes e da ilha de Caras tem em comum com o país dos pobrinhos e seus espaços públicos com ingresso pago (sic), corporações milionárias e bancos que alegam graves crises responsáveis...

Hack the Museum

Share egoscope 2.0 is a multi-user platform which allows simultaneous submissions of texts, images and flash animations by SMS, MMS and the Web to a big electronic display. The content generated by the audience is presented in real time on a 3 x 4 meters screen, displaying nine submissions every 10 seconds. 2004. Comissioned by Sergio Motta Art and Technology Award for HIPER (Santander Cultural, Porto...

Future of no-Past

Sharedesmemórias is an interactive film on the non-traces of our recent past. A story made of gaps, machines of vision and communication that have shaped the present and disappeared. Amiga computers, Mac Classics, Ataris, and 5 ¼ floppy disks, 486s, 386s, XTs, 500g of cellular, phosphorus monitors, among others, are the characters of this quasi-documentary of broken memories. Best viewed w/ IE. 2005....