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Suite 4 Mobile Tags is our first QaRtCode Project. It is an art work based on QR-Code (Quick Response Code), which proposes an exercise of random and anonymous collective musical composition. From a theoretical point of view, it allows users to create 16million772thousand216 musics in the exhibition space. How, Who, When and Why:...
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gb on Feb 11th, 2009 in
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ARTE
El MEIAC crea un visor de arte en red para preservar las obras digitales
El proyecto NETescopio arranca con la exposición ‘Desmontajes’ – El museo extremeño ha adquirido varias piezas generadas por ordenador o basadas en lenguajes y componentes informáticos
R. BOSCO / S. CALDANA 15/01/2009
“El net.art requiere una nueva aproximación museística, muy diferente a la tarea...
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This is an investigation of the transformation of the image in an interface that questions the role of algorithmic code in the construction of the visual and explores the process of dematerialization / rebuilding of identity, via image in social networks. See the application running. We depart from a conceptual dialogue with the film Blow Up (Antonioni, 1966) to operate a rereading of the seminal essays by...
ShareThe unfoldings of the new mapping and locating systems are undeniable.
The popularization of the GPSs devices and the accessibility of on line maps are indicative of a new perception of space.
Nevertheless, all those issues also point to new geopolitics dynamics and to a repetitive aesthetic redundancy which seems to pursuit the utopia of a map in a 1:1 scale like a sad Borgean character pictured in “On...
Posted by
gb on Feb 1st, 2009 in
blog,
exhibitions,
net art |
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“Improbable Architectures” deals with Second Life as a space without parallel in the material world through a liquid and aerial space that reacts to the presence of its interactors. It is a project by Giselle Beiguelman and Vera Bighetti.
Comissioned by Itaú Cultural for the exhibition for the exhibition Memory of the Future (2007)
Updated and Rebuilt for TRanslations/ Traduções. WARC –...