My column in Revista ZUM focuses on immersive images. I discuss the presence of images at the urban scale and the reintroduction of the body into this setting through the films Blade Runner 2049 and Blow-Up, and Tubo, by Rejane Cantoni and Leonardo Crescenti (featured).
“Everything suggests that the image will be touchable, porous and produced by a subject who looks while seeing themselves from inside the image.”
Read here