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Posted by
gb |
Jun 29th, 2009
Através da Porta é um projeto que fica entre o real e o ficcional, o ilícito e o legítimo, o íntimo e o explícito.
O público é convidado a atravessar a porta, cruzando a linha de uma tela de voil branco e viver uma situação inusitada:
Invadir... read more
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Posted by
gb |
Feb 5th, 2009
Work in Progress. Includes Aerial Views, Mexico City, Amsterdan and more
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Posted by
gb |
Feb 4th, 2009
This is an investigation of the transformation of the image in an interface that questions the role of algorithmic code in the construction of the visual and explores the process of dematerialization / rebuilding of identity, via image in social networks.... read more
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Posted by
gb |
Feb 4th, 2009
The landscape reduced to its more basic elements: its colors
Related work: Há Mares, 2009
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Posted by
gb |
Feb 3rd, 2009
“Rios de Paulo” tem direção de Giselle Beiguelman e faz parte da série de curtas sobre São Paulo feitos especialmente para o Metrópolis (TV Cultura) com câmera de celular. Janeiro de 2008. Música: Mauricio Takara
Screened at Networked... read more
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Posted by
gb |
Feb 2nd, 2009
Bluescapes from gbeiguelman on Vimeo.
Bluescapes, 2008.
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Posted by
gb |
Jan 30th, 2009
http://www.desvirtual.com/gif/, 2007
I Love Yr GIF is a project based on the culture of the first wave of net art, produced entirely with animated gifs taken from personal collections such as of Jimpunk, Marisa Olson and Superbad. Inspired by the features... read more
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Posted by
gb |
Jan 28th, 2009
Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as a... read more
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Posted by
gb |
Jan 23rd, 2009
egoscopio (2002) engaged new subjectivity formats, reception amidst processes of entropy and transformation of the interface into the message, exploring the context of confusion between art, advertising, and information that digital culture promotes.... read more
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Posted by
gb |
Jan 22nd, 2009
Ceci n’est pas un nike point of departure is the conceptual confusion between interface and surface. Magritte’s pipes are its strongest references and it updates the discussion about the differences between image and representation, denying... read more
Giselle Beiguelman is a new media artist and multimedia essayist who teaches Digital Culture at the Graduation Program in Communication and Semiotics of PUC-SP (São Paulo, Brazil). Beiguelman's work appears in important anthologies and guides devoted to digital arts including Yale University Library Research Guide for Mass Media and has been presented in international venues such as Net_Condition (ZKM, Germany), el final del eclipse (Fundación Telefonica, Madrid), Desk Topping - Computer Disasters (Smart Project Space, Amsterdan) Arte/Cidade (São Paulo), The 25th São Paulo Biennial and Algorithmic Revolution (ZKM). Curator of Nokia Trends (2007 e 2008) and Artistic Director of Sergio Motta Art and Technology Award. 
gb 
