Remembering Is Understanding
An artistic intervention with wheatpaste posters recalls AI-5 and warns of the dangers of authoritarianism Since the early hours of April 3, passersby in Largo da Batata, in Pinheiros, have…
Essays, criticism, lectures, news and activity records, organized by publication date.
An artistic intervention with wheatpaste posters recalls AI-5 and warns of the dangers of authoritarianism Since the early hours of April 3, passersby in Largo da Batata, in Pinheiros, have…
In my April 2 Ouvir Imagens column, I spoke about my visit to Esculturas para Ouvir at MuBE, the Brazilian Museum of Sculpture. Curated by Cauê Alves, the exhibition brings together works…
Odiolândia was the cover story of Belo Horizonte newspaper O Tempo’s magazine in its Sunday, April 1 edition.In an extensive interview with journalist Carlos Andrei Siquara, we discussed…
Much has been said in recent weeks about the Facebook and Cambridge Analytica case. I addressed the subject in my Ouvir Imagens column on Rádio USP this Monday, March 26. I discussed how…
Odiolândia is at the Museu de Arte da Pampulha as part of the Digital Art Biennial, taking place in Belo Horizonte from March 26 to April 29. Curated by Tadeus Mucelli and co-curated by…
A new urban art View the reference ↗︎ In my column Ouvir Imagens on Rádio USP this Monday, March 19, I discussed the impact of technologies and media in the city on urban art. I highlighted…
In my debut column for Revista ZUM, I discuss The Men Behind the Wall, by Argentine-born Israeli filmmaker Inés Moldavsky. Winner of the best short film award at this year’s Berlin…
"The Men Beyond the Wall: Sex, Truths, and Apps" is the title of my debut column on Revista Zum’s website. In it, I discuss the award-winning documentary by Inés Moldavsky, winner of the…
In my column Ouvir Imagens on Rádio USP this Monday, March 12, I discussed technological obsolescence and its impact on the memory of net art.They say the Internet never forgets. But…
Watch the video ↗︎ Now on air: Ouvir Imagens, my column on Rádio USP. This weekly column airs Mondays at 8 a.m. It remains available online and can be accessed anytime, anywhere.Taking…
Odiolândia appears in the Mobility and Art section of the prestigious Transfers, Interdisciplinary Journal of Mobility Studies, published by Berghahn Journals (New York/Oxford).The journal…
Watch the video ↗︎ Artsupermarket, our project at the Mostra 3M de Arte, is featured on TV Cultura's Metrópolis…
On October 10, 2017, I gave an open lecture for the Smart Cities Research Group at ITS-Rio (Institute for Technology and Society).My starting point was:Expanded by digital technologies,…
Odiolândia is featured on the Opinion page of El…
I was invited to write for episode 5 of Bravo! magazine’s third season, HOJE (“TODAY”). I wrote about this time when everything “is already yesterday,” even before it becomes tomorrow.…
Museums of the unfinished for ephemeral memories: notes on the conservation of net art. Revista Museologia & Interdisciplinaridade 6, no. 12 (2017): 22-33. ABSTRACT This article discusses…
Globo News’s Estúdio i presented Odiolândia and invited me to discuss the work.Watch it…
Critic Fábio Cypriano reviewed the exhibition São Paulo não é uma cidade: as invenções do centro for Folha de S. Paulo.Cypriano highlights: Herkenhoff even quotes Mário de Andrade, for…
Odiolândia was one of the highlights of Folha de S. Paulo’s Cotidiano section in a report by Fernanda Mena. As the journalist wrote on Facebook, subscribers’ comments on the newspaper’s…
Deserto Rosso (2016) is now on display at the exhibition Turbulent Landscapes, curated by Jeff Chabot, at Modified Arts Gallery (Phoenix, Arizona, June 16–July 8).Here is the curator's…