Ouvir Imagens Debuts on Rádio USP
Watch the video ↗︎ Now on air: Ouvir Imagens, my column on Rádio USP. This weekly column airs Mondays at 8 a.m. It remains available online and can be accessed anytime, anywhere.Taking…
Watch the video ↗︎ Now on air: Ouvir Imagens, my column on Rádio USP. This weekly column airs Mondays at 8 a.m. It remains available online and can be accessed anytime, anywhere.Taking…
I was invited to write for episode 5 of Bravo! magazine’s third season, HOJE (“TODAY”). I wrote about this time when everything “is already yesterday,” even before it becomes tomorrow.…
Critic Fábio Cypriano reviewed the exhibition São Paulo não é uma cidade: as invenções do centro for Folha de S. Paulo.Cypriano highlights: Herkenhoff even quotes Mário de Andrade, for…
Odiolândia was one of the highlights of Folha de S. Paulo’s Cotidiano section in a report by Fernanda Mena. As the journalist wrote on Facebook, subscribers’ comments on the newspaper’s…
On the algorithmic censorship of imagesContemporary urban culture is inseparable from image production on networks. Never have so many photographs been taken as in our time. By the end of…
Turning data into information, and information into knowledge, depends on expertise, analysis and interpretation. My article on information curation, on the UOL Notícias opinion page.…
The book Uncertain Spaces: Virtual Configurations in Contemporary Art and Museums is now online. An amazing work by Helena Barranha and Suzana Martins. My contribution to this book is the…
Starting from Ernesto Oroza’s project “Desobediencia Tecnologica,” we identify several lines of force to guide our reflections on technophagies, critical ruinologies, and the occupation of…
5,000 Feet is the Best from Commonwealth Projects on Vimeo.We return to discussions of biopolitics in the current network landscape to examine aesthetics of surveillance and noise.Among…
In this class, we start from urban writing to discuss the coding processes we interact with every day.Among other issues, we highlight:— The growing opacity of coding mechanisms and their…