Odiolândia by Guilherme Wisnik
In his Rádio USP column, Espaço em Obra, Guilherme Wisnik discusses the launch of Odiolândia in the Pandemia series from n-1 edições. It is like a rotating machine gun pointing out the new…
In his Rádio USP column, Espaço em Obra, Guilherme Wisnik discusses the launch of Odiolândia in the Pandemia series from n-1 edições. It is like a rotating machine gun pointing out the new…
I took part in the SP-Arte Talks panel on digital art alongside Luli Radfahrer. At the organizers’ suggestion, I discussed my work Odiolândia.I received countless messages after the…
Odiolândia was the cover story of Belo Horizonte newspaper O Tempo’s magazine in its Sunday, April 1 edition.In an extensive interview with journalist Carlos Andrei Siquara, we discussed…
Odiolândia is at the Museu de Arte da Pampulha as part of the Digital Art Biennial, taking place in Belo Horizonte from March 26 to April 29. Curated by Tadeus Mucelli and co-curated by…
Odiolândia appears in the Mobility and Art section of the prestigious Transfers, Interdisciplinary Journal of Mobility Studies, published by Berghahn Journals (New York/Oxford).The journal…
Odiolândia is featured on the Opinion page of El…
Globo News’s Estúdio i presented Odiolândia and invited me to discuss the work.Watch it…
Critic Fábio Cypriano reviewed the exhibition São Paulo não é uma cidade: as invenções do centro for Folha de S. Paulo.Cypriano highlights: Herkenhoff even quotes Mário de Andrade, for…
Odiolândia was one of the highlights of Folha de S. Paulo’s Cotidiano section in a report by Fernanda Mena. As the journalist wrote on Facebook, subscribers’ comments on the newspaper’s…