O Museu é SUA História
O Museu é sua História is a projection-mapping intervention on the façade of the Museu do Ipiranga, created by artist Alexis Anastasiou and curated by Giselle Beiguelman and Solange Ferraz…
O Museu é sua História is a projection-mapping intervention on the façade of the Museu do Ipiranga, created by artist Alexis Anastasiou and curated by Giselle Beiguelman and Solange Ferraz…
At last, we are launching the artistic interventions on Avenida Paulista!Arquinterface discusses new relationships between technologies and the urban imagination, and how the arts today…
Beginning this week: Arquinterface: a cidade expandida pelas redes. The project brings together designers, artists, architects, and thinkers in communication and audiovisual media to…
For now we shall not sing of love, which has taken refuge deeper than the underground. We shall sing of fear, which sterilizes embraces, we shall not sing of hatred, for it does not exist,…
[Bilingual catalog]DownloadArte. BR: Tecnofágica, adhocrática e radicante [English version: Download catalog] Technophagy is neither a trend nor a movement, but a personal concept developed…
Tecnofagias was the central concept of the III Mostra 3M de Arte Digital. Held at Instituto Tomie Ohtake in São Paulo from August 15 to September 16, 2012, the exhibition brought together…
Toward Technophagy: Trends in Digital Art Creation in Brazil * Giselle Beiguelman, 2009PDF The results of the eighth edition of the Sergio Motta Award reveal interesting ambivalences in…
One of the merits of the artists honored in the eighth edition of the Sergio Motta Art & Technology Award is their ability to resist the charms of techno-Parnassianism—technology for…
In 2008, the Sergio Motta Institute held three festivals—HTTPVideo, HTTPTags, and HTTPSound—curated by Giselle Beiguelman on three major Web 2.0 platforms: YouTube, Delicious, and MySpace.…
A good article in Valor about music and the Internet. Since access to the newspaper’s archive is restricted, once again I will perform a public service by reproducing Cadão Volpato’s…