Exhibition echoes 1968 in 2013 (and vice versa)
Ouvir Imagens, Rádio USP, December 10, 2018.This week marks fifty years since the enactment of AI-5, and I want to draw attention to an exhibition at Centro Universitário Maria Antonia in…
Ouvir Imagens, Rádio USP, December 10, 2018.This week marks fifty years since the enactment of AI-5, and I want to draw attention to an exhibition at Centro Universitário Maria Antonia in…
Aesthetics of memory in the 21st century: politics of forgetting in public and media spacesIn this masterclass, I present a group of works developed over the preceding five years in the…
O Museu é sua História is a projection-mapping intervention on the façade of the Museu do Ipiranga, created by artist Alexis Anastasiou and curated by Giselle Beiguelman and Solange Ferraz…
For seLecT magazine, I wrote an essay about André Penteado for the Portfolio section.I discussed his photographic series Cabanagem and Missão Francesa, highlighting how they address…
Aesthetics of memory in the 21st century: politics of forgetting in public and media spacesIn this masterclass, I present a group of works developed over the preceding five years in the…
An artistic intervention with wheatpaste posters recalls AI-5 and warns of the dangers of authoritarianism Since the early hours of April 3, passersby in Largo da Batata, in Pinheiros, have…
Deserto Rosso (2016) is now on display at the exhibition Turbulent Landscapes, curated by Jeff Chabot, at Modified Arts Gallery (Phoenix, Arizona, June 16–July 8).Here is the curator's…
I am launching Perturbadoramente Familiar, an artist's book resulting from my trip to Poland and the project Quanto Pesa uma Nuvem?, at SP-Arte with Galeria Mezanino, and at Galpão VB. The…
https://www.facebook.com/events/1573837846249338/https://www.facebook.com/events/1573837846249338/…
How heavy is a cloud? (2016) is a multimedia installation comprising video, audio, stamps, and photography that occupies Galpão VB prompting the audience to venture into a mysterious,…