Monumento Nenhum and Chacina da Luz
Monumento Nenhum, at Beco do Pinto, and Chacina da Luz, at Solar da Marquesa de Santos, discuss the loss of memory in public space and the city’s relationship with its historical and…
Writing
O Museu é SUA História
O Museu é sua História is a projection-mapping intervention on the façade of the Museu do Ipiranga, created by artist Alexis Anastasiou and curated by Giselle Beiguelman and Solange Ferraz…
Pandemia! Odiolândia
Odiolândia is a project based on comments posted on social networks about three recent events that mobilized Brazil: the raid on Cracolândia (May 21, 2017), the murder of city councilor…
Memories of Sand
Memories of Sand is a process-based artwork. To create it, we issued a call for donated memories—personal, borrowed, or invented—of the legendary Urca Casino and conducted interviews on the…
Odiolândia in Ilustrada
Critic Fábio Cypriano reviewed the exhibition São Paulo não é uma cidade: as invenções do centro for Folha de S. Paulo.Cypriano highlights: Herkenhoff even quotes Mário de Andrade, for…
Odiolândia (Hateland)
An exploration of social media and the languages of violence in Brazil.
Masp.etc.br
Watch the video ↗︎ masp.etc.br grew out of a workshop held on 6 and 7 May 2017 as part of the exhibition Avenida Paulista. It culminated in a projection on May 11 in MASP’s open space,…
The Aesthetics of Rewarded Denunciation
The spaces are bland: rooms and cubicles with bare walls, empty shelves, and Formica tables. The webcams, positioned with no concern for framing or lighting, reveal backpacks abandoned in…
Perturbadoramente Familiar
I am launching Perturbadoramente Familiar, an artist's book resulting from my trip to Poland and the project Quanto Pesa uma Nuvem?, at SP-Arte with Galeria Mezanino, and at Galpão VB. The…
Museum of Invisible [Bodies]
Museu dos Corpos Invisíveis is a collaborative documentary about the city of São Paulo, conceived as a battleground between visibility and invisibility. Designed as a web series, the…